LO2: A Chorus Line Rehearsal Reflection Week 1
⭐A CHORUS LINE ⭐
Rehearsal Reflection - Week 1
Tuesday 10th
This was our first rehearsal for our next upcoming annual show, 'A Chorus Line'. For this rehearsal, we weren't with the new year 12's. As this is our first rehearsal of the show, we do not yet know what part we will be playing in the show so we started with the opening number because it, firstly, contains the whole cast so doesn't require any specific characters just yet and, secondly, it's the first number and it's good to work chronologically and this number is going to be very physically challenging for me.
For this rehearsal, we were with our dance teacher, Rob. We started with a warmup to make sure our bodies were ready to dance. We did stretches and some corner work, focusing on high kicks and stretching the needed muscles for leg extensions. We then went on to listen to the song to get a feel of the beats and rhythm before we start dancing. While listening to the song, we also counted the beats per bar/phrase and how many bars the first section of choreography has. This is crucial to work this out prior to dancing as the movements in the choreography correlate to the actual words/lyrics that are being said by the character, Zach.
We then started workshopping and playing around with the choreography to see what works with the lyrics, timing of the song and to see what looks good together in a dance sequence. After working on the first section of the song we got up to bar 19 which is the main dance break that makes this a key song in the show. The next part is one of the key moments within the whole show. The key characteristics of this number is that it is the opening number. It sets the tone for the show immediately which is so important. We need it to be high on energy in order to engage our audience. The opening number is set as an audition scene so one of the key aspects of the number is that it doesn't need to be perfect; it needs to appear as if we are learning the combination there and then. It's also unique in staging as it starts with us facing away from the audience, making the main dance section stand out more and have more impact as its the first time the audience see our faces properly.
- Skills: Timing (starting on count "and 8")
- Areas for Development: flexibility, eyeline
Our first movements begin on count "and 8" which can be quite tricky as it feels unnatural as you would usually start on count "1". I think it was a skill of mine this rehearsal as I think I did well to make sure I started at the right point. On the other hand, my areas for development tis rehearsal was first my flexibility as I found the high kicks quite difficult to get high. Eyeline was also a struggle for me. These steps are quite complicated and require quite a lot of focus and this causes me to look down at my feet and the floor so I a. know what I'm doing and b. know where I'm going so I don't get in someone's dance space around me. to improve in this I can practice the dance more so I feel more confident and to be more spatially aware when I dance.
Wednesday 11th
This rehearsal was our first rehearsal with the new year 12's. We first started with a group warmup to ensure are bodies were ready for dance. We did some stretches that are important to do before doing high kicks and movements that require some level of flexibility. They make sure our bodies are relaxed and loose with no tension in the muscles. Once we were warmed up, we showed the year 12's what the choreography we learnt on the 10th was so they could see what they would be learning in this rehearsal.
Rob, our teacher, mixed our class in with the year 12's so that when they are learning the choreography they have one of us near them in case they can't see Rob clearly of if they get stuck. We recapped the dance and taught the year 12's. Some of my class then got split up and put in charge of a small group of year 12's to go over any bits they are struggling with. During this, me, Verity and Chloe worked with Rob on the next section of the dance, which is the main, memorable moment in this song. We spent the lesson refining and practicing this section several times so it becomes muscle memory and more natural to us. We also spent time focusing on the beats of the song and how our movements relate to them. Our dance moves have to be hit on certain beats as that's when the character, Zach, is speaking telling us what to dance.
We then moved onto learning and creating the next section of the dance, which is the main section at bar 19 in the musical score. I found that this section felt very fast which I did find difficult to keep up. I felt rushed and unrelaxed. It was initially quite a shock as we learnt the section without the music so worked at a speed that was more comfortable for us. Trying it with the actual speed on the track did throw me off slightly so my movements aren't refined and appear a bit messy as I've just learn it. The more practice we get with the actual tempo of the track the less rushed I will feel as I'll get used to the speed. We then went over the dance several times and got some recordings. One time we tried it without the backing vocals, just instrumental. Overall, as a group and personally, this was very difficult to dance without the vocals. The vocals are the guideline for when movements need to be done as character Zach is saying what moves we need to do while we dance them. Doing this dance section without the track is harder as we aren't only concentrating on the steps but also counting the beats to make sure we stay in time and hit the movements at the right point in the song.
- Skills: Recall, Pick-up choreography
- Areas For Development: Need to refine - bit messy, eyeline, expression
Audition Backing Tracks
"At the Ballet"
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